I am still fussing over the details in Rein In. It's mostly about the tack, I want to get it right. I've been working large most of the year. It is liberating to use big brushes and stand way back from the easel while I am working. The problem with working large is when you make a mistake, such as a color or value problem, it's that much more difficult to correct it. Students, that is why we make a loose study before moving to the final version.